Saturday, March 31, 2012
Wednesday, March 28, 2012
untumblr me
remember when I said I hadn’t gotten into tumblr yet?
Well, I was looking through my last few posts and I was wondering why I was slightly discontent--
and I realized that it was because I had fallen deep down into the tumblr trap, where works of art are put up nameless, titleless, to be looked at for half a second
I fell into this trap of finding cool images instead of great ones, into a compilation of photoshop and generic quotes
sure, I’ve found some interesting images. and it’s fun to scroll down endlessly, it’s a nice way to distract`
but nothing means anything anymore, on tumblr, the aura of the work of art is completely gone
so I’m going to shut up and just let you see some good art.
Incredible double exposure oil paintings (!) by Ho Ryon Lee
This next guy, Marion Peck, literally cracks me up. Between his paintings’ mockery of art of the past, the titles, and the expressions on some of these characters, I have not gotten a laugh out of art like this,,, well, ever.
Fuck you, 2008
Sacred Grove, 2011
Just stop here, think for a second, what does this clown represent? He’s telling us something, he’s referring to us, the viewers…
Landscape with a Submerged Deer, 2008
^^died of laughter
Peasant Dance, 2008
referring to
Peasant Dance, 1568 (Pieter Bruegel)
Young Lord Oliver, 2007
Comic book artist Tara McPherson and her alien oil paintings
puzzling prints by Charming Baker
and if you’re going to be looking at each image for half of a second, at least do it this way--
Tuesday, March 27, 2012
March 6, 13:00, Café Artjava
Maybe I have too much trust in people
but there is something comforting about the presence of strangers,
seeing other people sipping coffee across the room as I pick up my own cup and do the same;
there’s something relaxing about seeing a man in a suit just like the one my dad wears to work every day,
holding a briefcase, thinking of his daughter--
there’s something relaxing
about seeing a woman typing away as I sit across from her composing words of my own,
listening to an old Beatle’s song knowing that if I were to play it aloud in this room people might sing it in their heads along with me..
I am content because they too have seen the triumphant skyscrapers outside
and heard the rumble of the drums coming from Mont Royal--
they too are tasting this bitter coffee,
are trying to avoid lengthy eye contact with the strangers who just walked in from the cold--
they too are silently sitting here with someone they miss in mind
I know these strangers
have thought about their moms today
have considered they might fail
have contemplated the meaning of it all
have gotten lost on a runaway train of thought
(artist Jung-Yeon Min)
Friday, March 16, 2012
Drive toward Abstraction
Featuring Giacomo Balla (1871-1958) and contemporary Hiroshi Manabe
“Modernist art’s drive toward abstraction might not signal its withdrawal from reality so much as reality’s withdrawal from it—that is, from art’s capacity to represent a reality transformed by technology and war”
Paul Klee
Many people don’t understand modern art, why it’s so valuable, and what it’s all intended to mean. I don’t always either. It’s abstract, non-representational, seemingly referring to nothing in the real world. Between the avant-garde shapes and colors that are supposedly representing things such as the artist’s mother, or the war going on outside his studio, modern art’s intrinsic meaning seems impenetrable.
The Fate of the Animals by Franz Marc 1913
What I’ve come to understand, though, is that modern life itself is pretty abstract. As opposed to our ancestors who worked on quiet farms and lived in a comfortable daily routine, we live in a hyper-stimulated world where we see and experience new things everyday.
Lights, cars, bass, Yahoo search results: where does the stimulus end?
Exposed to mass communication, immersed in a world of changing technology, and surrounded by strangers, we live in a dynamic atmosphere which may move too quickly for us to capture it, say, in a painting.
The experience becomes so far from natural reality that human perception does not know how to deal with it, let alone how to represent it. As we are exposed to such great diversity everyday, from the world views of the people you meet or the latest news from the middle east, modern life is an immensity beyond human comprehension.
As a result, some art appears so abstract that it is almost inexplicable to the general public, and possibly to the artist himself. Modern art is defined by its incapability to capture the speed and constant stimulus of everyday life. Modern art is a reaction against the recent expectation of the human to have the efficiency of a machine, constantly processing all of the changes happening right now in the world in order to stay afloat. It’s a reaction against not being able to slow experience down,
to take time to see what it means.
Carlos Carra
"It’s ironic that many people say they don’t “get” contemporary art because, unlike Egyptian tomb painting or Greek sculpture, art made since 1960 reflects our own recent past. It speaks to the dramatic social, political and technological changes of the last 50 years, and it questions many of society’s values and assumptions—a tendency of postmodernism, a concept sometimes used to describe contemporary art. What makes today’s art especially challenging is that, like the world around us, it has become more diverse and cannot be easily defined through a list of visual characteristics, artistic themes or cultural concerns."
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